J Interior Design 名片設計 第二版

 

設計印刷完稿大約已經是幾個月前的事情了，但最近做了許多跟名片設計有關的專案內心有些感觸，就很想拿出來講一下關於名片目的設定這件事情，客戶是認識多年的學長目前經營J設計的洪士傑室內設計師，這次設計的名片已經是第二個版本了，通常在做名片設計都會以資訊清晰為主要目的，但我們討論的時候將主要目的切換成在一個社交環境下，當大家拿出名片交流的時候能夠吸引周圍的目光為主，所有的資訊清晰在當下的環境已經不是重點，那個疑惑看不清楚的好奇吸引才是我們認為這次名片設計的定位。
所以在整個設計的走向都用打凹的方式來處理，資訊完全都不用印刷來處理訊息內容，整體設計的邏輯會是將姓名跟電話放置在最中間並且適度的將其他所有的資訊當作裝飾來處理整個畫面的平衡，資訊清不清楚已經不是太重要的了，因為我們要的是那個特別的印象。
但要注意的是並不是資訊清晰不重要，而是因為這次名片的目的不同，所以不是每個產業都適合這個設計方式。

 

It’s been a few months since the design was printed, but recently I’ve done a lot of projects related to business card design, and I’ve had some feelings in my heart, so I’d like to talk about the purpose of the business card, the client is a senior who I’ve known for many years, and is currently operating J Design’s Hung Shih-kit interior designer. But when we discussed it, we switched the main purpose to a social environment, when people take out the business card to communicate to attract the eyes of the surrounding mainly, all the clear information in the current environment is no longer the focus, the curiosity to see the curiosity attraction is what we think the positioning of this business card design.
The overall design logic is to place the name and phone number in the middle and appropriately treat all other information as decoration to deal with the balance of the whole picture.
However, it is important to note that it is not the clarity of the information that is not important, but the purpose of the business card is different, so not every industry is suitable for this design.

  • 客戶這設計
  • 專案時間2020
  • 領域類別品牌標誌logo設計、平面設計